gtg947h wrote: ↑Wed Oct 28, 2026 10:22 am
David Newton wrote: ↑Wed Oct 28, 2026 10:12 am
Babylon 5 had a much greater impact than you might imagine.
In and of itself it never became mainstream, but it was really the first show on American TV to actually have a continuing storyline where things didn't simply reset at the end of virtually every episode.
Didn't know that, interesting! IMHO it definitely makes for more interesting shows.
I never watched B5 (though it sounds like it would be interesting, if I ever had the time to watch anything) but I remember watching reruns of TOS and some early TNG with my dad when I was little.
B5 is definitely worth watching if you're a fan of well done science fiction. The pilot TV movie The Gathering is of a far lesser standard than the series itself. However it is still worth watching as it kick-starts a number of important plot points.
The first season is far better then The Gathering, but still nowhere near the standard of seasons 2, 3 and 4. However there are still has some extremely good episodes. I've already referenced Mind War and And the Sky Full of Stars. Other very good episodes are Signs and Portents, Babylon Squared, A Voice in the Wilderness (one of only two two part episodes in the entire show, the other being one that links together both A Voice in the Wilderness and Babylon Squared) and Chrysalis. Episodes in the first season that come closest to being stinkers are Infection, Survivors and By Any Means Necessary. A general rule of thumb is that the more arc (ongoing storyline content) an episode has, the better it is. Infection et al are not awful TV, but they're far less strong.
Another thing that's remarkable about B5 how much Straczynski, the show's creator (known by the abbreviation JMS) wrote. There are two things that are remarkable in this. One is that out of 110 episodes of the show he wrote 90 of them. The first season was the one where he wrote fewest with 12 out of 22 episodes. All of the ones I have highlighted as being particularly good in that season were written by him. He also wrote every single episode of the show from season 2 episode 18 to season 5 episode 3. 52 episodes in a row.
B5 also pioneered the use of CGI for VFX on mainstream television. All of the space shots were created as CGI. For 30 year old effects they still stand up fairly well. The CGI allowed the creation of far more unique effects footage shots than other shows of a similar vintage. They certainly reused some CGI, particularly for intermission shots of the outside of the station. However the sheer number of different vessels they could come up with is remarkable.
There was also an interesting interaction between US TV and UK TV for some episodes: some episodes had their world premier on UK TV! Because it was a syndicated show with no home network its transmission schedule was a lot more bitty in the US. Few episodes, break, few episodes, break etc. In the UK on the other hand it was generally shown in one block, which meant the UK scheduling gradually caught up with the US scheduling. During the first three seasons the UK TV scheduling actually overtook the US scheduling. The season 1 finale showed on Channel 4 in the UK 3 weeks before it showed in the US. The last 4 season two episodes were shown first in the UK, about two and a half months before they were shown in the US! The last 5 episodes of season 3 were shown first in the UK, between 4 and 6 weeks before they aired in the US.
I'm not aware of any other US TV show where that's happened, let alone where 10 episodes out of 110 total were first shown in the UK.
Oh and they also managed to do blatant product placement (a Kawasaki motorcycle) in a way that fitted in with the characters of the show and also even manages to provoke at least some amusement right at the end of the episode.
So I'd definitely say that it's worth watching for a remarkable story with very good acting and also so that you can appreciate its place in television history. Returning to Koenig and his legacy, I'd say that Bester is the role he should be remembered for. A far deeper and more interesting character than Chekov. A character typical of the quality of Babylon 5's depth and interest.